On Friday, February 5, 2016, the City of Tucson Environmental Services
Department will unveil and begin delivery of five metal trash containers
that have been painted with murals as part of an effort to reduce
graffiti. Environmental Services contracted with the Tucson Arts
Brigade to coordinate the project. Additional funding was provided by
the Graffiti Resource Council in Washington, DC.
Five Tucson artists
have designed and painted the trash containers which will be provided to
businesses that have a high potential for graffiti and tagging. The
City, working with the Tucson Arts Brigade hopes the program will also
improve urban aesthetics and ultimately save taxpayers money on graffiti
abatement.
Five artists were selected from 44 applicants who ranged from established painters to first-time muralists. The artists are Johanna Hand, Sasha Lewis, Niki Glen, Porter McDonald and Ruben Moreno. The city provided $5,000 in funding for the pilot program, which was matched by the Graffiti Resource Council, a Washington, D.C.-based nonprofit vandalism prevention organization.
Tucson City Councilman Steve Kozachik said, “City leaders have been working on this program for quite some time. Even though such initiatives may not end the exorbitant cost of graffiti abatement, they can potentially help save money as well as beautify the city.”
The unveiling of the trash containers will be held in the parking lot, behind the Chicago Store in downtown Tucson on Friday, February 5, 2016 at 12:30 p.m. All five of the trash containers will be on display before being delivered to the business customers participating in the program.
Saturday, January 30, 2016
Tuesday, September 15, 2015
BBVN Tile Mosaic Mural Workshops Dates Set
As
most of you know, BBVN is working with a Tucson artist to construct
tile mosaic murals on the two low walls at the intersection of the Treat
Walkway and Arroyo Chico. Due to the fabulous efforts of neighbors
John, Linda, Matt, and Emma Stapleton, Barbara O'Brien, Barbara Kuelbs,
Justine Hernandez, Judd Ruggill, Susan Silverman, Mike Weingarten and
Joan Thomas, all under the direction and expert assistance of Tucson
artist Michael Schwartz, we built tiles, painted them, fired them,
prepared the walls, applied thinset, and installed tiles, so that two of
the wall sides are now largely complete.
We're going to turn now to the remaining sides to complete the tile mosaic mural installation! Thanks to Mary Wolfe for the donation of some beautiful tiles for this next phase! Please join us for two tile installation parties:
What: Tile installation party (north mural)
Date: Sunday October 18
Time: 3:00 pm to 6:00 pm
What: Tile installation party (south mural)
Date: Sunday October 25
Time: 3:00 pm to 6:00 pm
For both parties, please bring:
Old clothes
Rubber gloves
Hats, water, sunscreen
Any thinset tools you might have such as trowels and pans (we have some, but more is better)
A digital camera
Food and drinks
We'll supply the rest
You can just show up, or register by clicking here.
We're going to turn now to the remaining sides to complete the tile mosaic mural installation! Thanks to Mary Wolfe for the donation of some beautiful tiles for this next phase! Please join us for two tile installation parties:
What: Tile installation party (north mural)
Date: Sunday October 18
Time: 3:00 pm to 6:00 pm
What: Tile installation party (south mural)
Date: Sunday October 25
Time: 3:00 pm to 6:00 pm
For both parties, please bring:
Old clothes
Rubber gloves
Hats, water, sunscreen
Any thinset tools you might have such as trowels and pans (we have some, but more is better)
A digital camera
Food and drinks
We'll supply the rest
You can just show up, or register by clicking here.
Sunday, January 4, 2015
Call to Artists: Street Art Happening
As part of the Community Arts Gathering March 14-18, 2015
Hosted by the International Sonoran Desert Alliance
Grab a piece of the wall- we plan to enliven an alley between two historic warehouse buildings in the heart of the Sonoran Desert, Ajo, AZ. With over 300 feet of wall space we will divvy it out as designs come in. Find photos of the alley at www.isdanet.org – Festivals and Events – Community Arts Gathering or feel free to come and check it out in person.
Painting to take place March 14-18, any time of day or night, with programs and audience interaction happening throughout. Artists are invited to arrive earlier than March 14th in order to get it done!
Please note that this is the first time we are doing something like this in Ajo and an excellent chance for you to gain exposure and meet other street artists, as well as community artists attending the larger Community Arts Gathering. We will be garnering resources and supplies between now and March but will not be able to secure a huge budget. We ask for your support and engagement to make this the kind of event you would not want to miss and one we can have again and again and again.
To apply:
1) Create a design using the following words as a guide – cross-culture, place, people, Sonoran Desert, Ajo, mining town; visit www.isdanet.org to learn more about the Community Arts Gathering event and its themes
2) Email the following materials to gathering@isdanet.org by January 9th, 5pm MST
- Mural design as a jpeg
- contact info
- short bio
- website (if applicable)
- up to 3 photos of your existing workdescribe what it will take to get you to bring your work to Ajo (i.e. supplies, stipend, etc.)
Questions? Contact Morgana Wallace Cooper at (520) 387-3570, evemorgana@yahoo.com
Thursday, July 31, 2014
3rd of 101 Perfect Waves International Murals By Hilton Alves to Take Place in Maui
By: Jessica dos Santos
© 2014 Bruno Lemos |
Artist Hilton Alves will paint mural number three of his 101 Perfect Wave International Murals in Wailuku, Maui. The mural, planned in partnership with the non-profit Made in Hope, will be painted from the 14th to the 16th of August, in Wailuku. Each of the 101 murals will depict perfect waves from around the world and the 3rd will be based on the magic and beauty of Honolua Bay.
Made in Hope works to eliminate the exploitation of and violence against women and children. Its hope is to change the culture that cultivates violence by supporting preventative and restorative efforts that foster educational and sustainable economic opportunities for at-risk communities both in Hawaii and around the world.
© 2014 Bruno Lemos |
This mural is part of a
project, created in 2013, called 101 Perfect Waves International Mural
Project. As an artist and a surfer, Hilton wants to share the
inspiration that comes from the sea and waves with cities and countries
around the world. His aim in painting huge murals and planning
activities with local communities is to inspire people to have a greater
relationship with art and to take part in environmental preservation.
© 2014 Bruno Lemos |
The project includes a
world record mural depicting the famous Pipeline wave, which was
completed in October 2013. This mural is the largest wave mural in the
world and located in Honolulu on the island of Oahu, Hawaii. To paint
this huge wall of 5 floors high and 100 meters wide, the artist used
about 150 gallons of paint and it took only five days to complete.
© 2014 Bruno Lemos |
The second mural was
painted in January this year at Ibirapuera Park in Sao Paulo and Hilton
is happy to be back to focus his art on the Hawaiian Islands and, this
time, the beautiful island of Maui. In partnership with Made in Hope,
Hilton will invite school kids and community members to paint a
mini-mural with him on August 15th while he showcases come of this painting techniques.
To include your city and
learn more about the 101 Perfect Waves International Mural Project,
visit the official website of the artist, www.theartofhilton.com
© 2014 Bruno Lemos |
Monday, October 7, 2013
Video Portraits of Artists
California-based filmmaker Chris McKee is producing an
ongoing series of video portraits about artists, activists and
entrepreneurs following their dreams, titled Callings.
In
this short Hugh Gorman, a muralist and mosaic artist who lives in Fair
Oaks, CA, explains some of the process and meaning of his pieces.
And
in this short Jim Kelly, a jewelry maker who owns and manages Rainbow
Bridge Jewelry in Folsom, CA, discusses how he decided to become a
jewelry maker and gives tips to other small-business owners and artists.
Jim Kelly has a great website you can see here:
Thursday, December 27, 2012
Oakland Community Art Coalition Scores Major Victory Against “Comprehensive Anti-Graffiti Ordinance”
Reprinted from the December 19, 2012 Oakland based Community Revitalization Project.
What’s in a name? For the Oakland Community Art Coalition,
everything. After issuing
recommendations to Councilpersons Nancy Nadel and Libby Schaaf and speaking
before the Public Works Committee on two occasions, advocating in favor of
modifications to a proposed “Comprehensive Anti-Graffiti Ordinance,” the
committee recommended adoption of several of the Coalition’s suggestions
following a December 12 hearing. The recommendations included removing the word
“graffiti” from the ordinance – a major point of contention for the Coalition,
who argued that the word refers to a legitimate artistic aesthetic, and isn’t
automatically synonymous with vandalism or defacement of property. Other
committee recommendations included removing the City Administrator as sole determinator
of Restorative Justice remedies, and, most importantly, a directive to city
staff to work with community groups on the implementation plan.
On December 18, the full Council agreed to amend the
Ordinance according to the Committee’s recommendations, with final
modifications coming January 22. The public hearing was a bit of a mixed bag:
there was plenty of doubletalk from Councilpeople and city staff, some of whom
seemed to attempt to have it both ways: take a seemingly tough stance on crime,
while simultaneously professing appreciation for aerosol art and expressing
enthusiasm for community input and Restorative Justice measures.
Yet the Council couldn’t pretend that issues around
implementation and enforcement didn’t exist.
Desley Brooks noted that tagging wasn’t named in the
ordinance, prompting Nadel, who co-authored the ordinance, to admit, “we didn’t
discuss tagging.”
Brooks added, “there is some value” to “graffiti”, to which
Deputy City Attorney Richard Illgen said, “yes, I agree.”
Rebecca Kaplan noted that suggestions from community groups
were incorporated into the ordinance, but asked, “will it only end up being
property owners who get fined?”
Illgen sidestepped the question—a valid one, since as much
as 50% of tag-blighting is on city or state-owned property—by noting provisions
were added “to allow relief for property owners who have been hit multiple
times.” What he didn’t say, however, is that that relief is contingent on the
identification and apprehension of taggers and vandals – an offense which the
Oakland Police Department has publicly stated it won’t investigate.Kaplan then
noted the implementation plan “is beyond what’s in the text” of the
ordinance—another way of saying that currently, there is no implementation
plan. “Who’s responsible?” for enforcement, she wondered—a question for which
city staff had no answer.
Outgoing Council member Ignacio de la Fuente expressed
concern that “we are doing something here that will really penalize the
property owner. How are we going to implement? There’s really no process for
enforcement.” Schaaf called the ordinance the “first piece of a much
larger effort,” noting there are “consequences IF graffiti writers are caught”
(emphasis added), then adding, “we can do some positive programs.”
Following a motion by Nadel to add the word “tagging” to the
definitions of offenses, and the adoption of the previously-proposed
modifications—including the removal of the word “graffiti” from their
“Comprehensive Anti-Graffiti Ordinance”—the Council voted to pass the
ordinance.
However, the Council’s comments confirm what anyone who has
thoroughly looked at the ordinance has already realized: that the measure is
far from comprehensive, lacks a cohesive plan for implementation, and as it
currently stands, will be a mechanism for fining property owners who are the
hardest hit by tag-blighting vandals, while doing nothing to prevent defacement
from occurring in the first place.
Those issues are a big reason why the Oakland Community Art
Coalition—a group which includes members of the Community Rejuvenation Project,
East Side Arts Alliance, Rock Paper Scissors Collective, the Estria Foundation,
and I.C.U. –formed. While we remain skeptical about how enforcement will
actually be implemented, we are encouraged by the stated intention of city
staff and Council to work with community groups to create and enact the
positive programs Schaaf referred to.
The OCAC will continue to push for the creation of a Mural
Diversion Program, as part of the Restorative Justice measures referenced in
the ordinance. We hope the city will see fit to fully adopt the recommendations
we have outlined, which is the first step in rethinking abatement strategy to
include beautification efforts which not only deter tagging and vandalism, but
enhance the quality of life in blighted areas, instill a sense of community
ownership, and promote youth development and artistic expression in a way that
upholds creation, not destruction.
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