Friday, December 19, 2008

Muralists and Wastewater

Many muralists are environmentalists. We understand that we are creating works that impact our cultural environment. We are also impacting the air and water where we create work with our materials. My average mural produces 2.5 gallons of solid waste (paint skins) and 20 gallons of liquid waste (water to clean brushes). I’ve worked on projects where artists simply dump their paint water into the sink, usually a janitors closet. Where does this waste end up? In a wastewater treatment facility, that you could probably sniff out in your area, unless you live in Arcata CA or other visionary places that have advanced systems.

For several years I’ve been experimenting with ways to safely dispose of wastewater. The idea is that before we dump our paint water we can put it through a hand made filter with sand and ground charcoal. While this filter doesn’t remove all the toxins from the water, there is a noticeable difference in the color and odor of the water. There are a number of commercially available filtration systems, that are advisable if you are using oil paints, or large amounts of acrylics. Fortunate for printers there are now entire lines of nontoxic organic printing pigments.

Unused paint skins and paints can be taken to a hazardous waste facility. From there at least there will be some degree of remediation. I’ve done some experimenting with dissolving acrylic paints into water over a period of time to try and restore them. To some degree this can be successful, especially with large amount of paints that are still a little crumbly. The pollution caused by our trade takes place in the production, use and disposal of paints, varnishes, gels and other assorted goodies. Hats off to Golden paints for being socially responsible, and for their advanced wastewater treatment facilities.

So if your looking for a place to safely dispose of your toxic art supplies here are some links to Household Hazardous Waste Drop-Off Centers

Berkley
Chicago
Philadelphia
Portland
San Francisco
Seattle
Tucson

Here is a challenge, and eye opener for you, on your next mural project do a carbon count. You can calculate the impact of your project and then make a list of things you need to do to offset the pollution you have created.

Thursday, December 11, 2008

National Green Arts Corps

There is so much to report on in the community mural world. Every week I get an email or phone call regarding a new project or program that seeks to employ the visual arts in healing and mending the word in some way. Here are some highlights.

A project by Rima Malallah called Mural Mural on the Wall has transformed the streets of Amman Jordan.
Last May in Indianapolis Eli Lilly employees painted a 1,230 foot long mural designed by artist Patrick Viles. Get out your tape measures - this is now considered the world's largest paint-by-number mural. This project illustrates a growing trend in service and art related projects.


The National Campaign to Hire Artists to Work in Schools has started a facebook page.
You can read more about this exciting national organizing initiative on APInews.

Kiff Gallagher has put together the Music National Service Initiative. Their site is hosting a conversation entitled “Who Wants an Artist Corps”. You can participate in the conversation here.

Consensus seems to be building for a national work program that includes the arts in a Federal One /WPA/CETA type project. How about developing a program that integrates artists and cultural workers into a Green Jobs and Growth stimulus package? Our future lies in developing programs that are specific to bioregional culture. The ideal National Artists Corps would be one that embodies the idealism of the Obama era, one that funds grassroots and neighborhood based organizations and artists and takes Cultural Democracy into consideration. In this model artists work with Green Job Training Centers to identify areas for innovation and collaboration in all areas of the arts.

The possibilities are endless, and artists have this unique opportunity to advocate for a program that recognizes their unique creative sensibilities and skills.

Your homework tonight: Dream up your most amazing, empowering green participatory arts project that will help revitalize the economy.

Tuesday, November 11, 2008

New Fire- Mexican Cultural Mural


Photo by Jack Ramsdale

One of my (many) favorite murals in Philadelphia is by my friend and colleague Cesar Viveros-Herrera. This project is one of more than 3000 beautiful works of art created through the Philadelphia Mural Arts Program. His mural New Fire- Mexican Cultural Mural located at 223 W. Girard Avenue. The mural includes cement elements, horticulture and extentions. Its one of those works you have to see it in person to fully enjoy.

danza azteca philadelphia



This video that animates the mural, and connects it to place, culture and history. I think this project operates on many levels, using a multi-disciplinary approach to mural making. Yet another great example of the power and need for murals as we investigate how the arts play a role in revitilizing communities.




Wednesday, November 5, 2008

Imagining a National Artists Corps

We stayed up way too late last night, enjoying the static air, dancing, speeches, cheers, students running by shouting “Happy Obama Day”, strangers hugging.

Today the work started, for me it was making advocacy calls for a National Artists Corps as outlined in the Obama Biden Arts Platform.

What is exciting about this proposal is that the structures needed to administer a National Artists Corps/ Community Artists Corps are in place. The passion, desire and talent exists to facilitate local multi disciplinary arts programs that pack a punch. We have a president-elect that understands the value and power of the arts.

I feel our greatest challenge will be to demonstrate how our
proposals can be integrated into the calls for a Conservation Corps and the creation of Green Job Training Centers. Artists are natural holistic thinkers, seeing the interconnection between all things. If necessity is the mother of invention, we in the arts are her midwifes. Community based artists in the trenches have much to contribute to this discussion and I hope many of us will be called upon as this program takes form.

I encourage readers to write their elected representatives in support of a National Artists Corps.

LOTS more to come on this subject....

Thursday, October 16, 2008

Jose Ali Paz, artist and activist, dies at 51

The Mural Arts Community mourns the passing of our colleague and friend, Jose Ali Paz

October 16, 2008
Photo of
Posted on Wed, Oct. 15, 2008

Jose Ali Paz, artist and activist, dies at 51

By John F. Morrison
Philadelphia Daily News
morrisj@phillynews.com

THE NORTH Philadelphia mural seemed like a daunting project for a man who had just had brain surgery - 120 feet long and 25 feet high.

But Jose Ali Paz had something to prove. The cancerous tumor that was removed by surgery was in the right side of his brain, the side that affects speech and creativity.

Jose was an artist. His whole life, his reason for being, what made him who he was, centered around his art.

The mural, on 5th Street near Allegheny Avenue, was his chance to prove that he could still create art.

"I wasn't sure he was able to do it," said fellow muralist Michelle Angela Ortiz. "I offered to do it on my own, but he had such a strong will, so much determination. He wasn't going to let his physical situation impair him."

Jose remained as the lead artist on the mural, "Life Reflects Nature: Memories of the Past, Traditions of the Present," which was dedicated in October 2005, a testament to the courage and resiliency of a determined will.

Jose Paz, who came to Philadelphia in 2000 to escape the political upheaval in his native Venezuela and found the ideal setting for his pursuit of art, died of brain cancer Saturday. He was 51 and lived in the Northeast.

He worked on numerous murals for the Philadelphia Mural Arts Program, undertook a wide variety of other art projects, including a poster depicting the Phillies' Latino players, and exhibited his own oils widely.

His paintings were mostly of scenes from Venezuela, landscapes and the people who worked the land and walked the streets of its cities and towns.

"It was great working with him," Ortiz, 29, said. "I'm the age of his oldest daughter, but he never treated me as an inexperienced artist. He always treated me with respect as an equal.

"After his surgery, he fought hard to retain his ability as an artist. Working on that mural was definitely therapy for him.

"When he saw what he was capable of doing, it gave him back his confidence."

Jose remained active in the mural program as late as last summer when he helped with the planning of the Girl Scout mural on Callowhill Street between Broad and 15th streets.

"He loved to paint," said Ortiz, an art teacher. "He would do anything in his power to keep going."

Taller Puertorriqueno is among the many organizations that benefited from Jose's talents and generosity. Dora Viacava, outreach coordinator for the group, said that Jose did volunteer work that even included acting in a street-theater demonstration.

He taught a water-color class for seniors, created a huge banner for Taller with the logos of companies and organizations that contributed to the group, and even painted the walls of Taller's headquarters on 5th Street near Lehigh Avenue to display the work of his senior students.

"He was a really wonderful, very humble person, very generous and friendly," Dora said. "I admired the way he was able to balance his life between his family and his work."

"He was an extraordinarily talented artist," said Jane Golden, director of the Mural Arts Program. "But most importantly, he was one of the nicest, most thoughtful people I ever met.

"He was generous and kind. The world is a sadder place with his passing."

Jose and his family were among the founding members of Casa de Venezuela, an organization of immigrants from Venezuela. He taught art to children and volunteered his talents in many ways for the group.

"He was a really happy guy," said Emilio Buitrago, president of Casa de Venezuela. "He loved to talk to people. He had a big smile. People knew he was there.

"He was always willing to help people whether he knew them or not. He was an amazing father and a great community activist."

Jose's daughter, Viviana Paz, one of his four children, said, "He was the best father. He was my friend, a person I could sit down with and talk about everything.

"He was full of experience, a very wise man. He knew about everything. Sometimes I would wonder how he knew so much. His head was like a whole library.

"He was not afraid of anything. When I feel I can't do something, I remember that my Dad did so many things. There is nothing you can't do, he told me. Everything is possible if you try it."

Jose came from the town of Merida, in Venezuela. He and his wife, Mary, were married 28 years ago. He began working as an artist in his native country, where he also was a magazine publisher, did photography and other commercial art work.

He didn't want to leave Venezuela, but with the political situation and the rise of president Hugo Chavez, he felt he had no choice. "He tried everything to stay," said his daughter, "but nothing worked."

She regretted that her father was "at the top of his profession when he got brain cancer."

Besides his wife and daughter, he also is survived by his mother, Esther; a son, Jose Jr.; two other daughters, Rusmery and Daniela; two sisters, Luz and Alba Paz, and two grandchildren, Diego, 5, and Davya, 3 weeks.

Friday, October 17—5:30 to 7:30 p.m.

Viewing Service

A. Andrew Compagnola Funeral Home

4405 N. 5th Street, Philadelphia, PA 19140

Saturday, October 18—10:00 a.m.

Funeral Mass

Incarnation of Our Lord Roman Catholic Church

5105 N. 5th Street, Philadelphia, PA 19120

Saturday, October 18—3:00 to 4:30 p.m.

Tribute to Jose Ali Paz

Taller Puertorriqueño—Education Building

2557 N. 5th Street

Philadelphia, PA 19133

Flowers, cards, and donations can be sent to the Paz Family in care of 451 Van Kirk Street, Philadelphia, PA 19120.



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Tuesday, October 7, 2008

Murals in Oregon

Eugene

Throughout our trip we were inspired to see murals in communities large and small. Some are designed in a collaborative manner others by a lead artists. Oregon is home to numerous murals. Every city small and large that we stopped in had a mural of some sort. Most of our time was spent in Eugene visiting family. We had a chance to see lots of works and go on the First Friday Art Walk visiting galleries, hearing live music and meeting artists.

Murals are everywhere in Eugene. They are woven into the cultural tapestry of the city. Eugene is a unique place thriving with life and creativity. In addition to the natural beauty and intelligent urban planning there is a strong local economy. The weekly Saturday market and regular farmers markets provide a great window into the social life of the community.

One of the muralists we saw in Eugene was Kari Johnston who has painted a number of works in the area. She painted one of the most loved murals in the Whiteaker neighborhood.

Kari Johnson mural in the Whiteaker neighborhood

Kari gave us a tour of the in-town land trust where she and several dozen others live. She designed the commons house that sits next to one of the gardens where a parking lot once stood. Now you can enjoy a maze of gardens and fruit trees. Seeing this really helped us get a feeling for the spirit of her murals.


You can find a list of Eugene murals here but you might need the help of a local in planning your mural tour of Eugene. A good place to start is by visiting the Downtown Initiative for the Visual Arts (DIVA).

Portland

We had the delight of spending a day touring Portland, OR. Portland is home to many beautiful community murals. It was synchronicity that helped us find a mural in progress by artist Robin Corbo at the Community Cycling Center .


She told about another mural she had just finished entitled Women Making History in Portland. The mural depicts women who have, or are making history in Portland. A ton of people were involved in this mural. If you click on the image below you should be able to make out the text.


Women Making History in Portland
2007
2335 N. Clark St.
Artists: Robin Corbo with assistance from artists Mark Meltzer, Sherri Shaw, Emily Lux and Jason Greene

I like the design and richness of these murals, they tell a story, make a statement and are visually fun to spend some time with. Other muralists in Portland include Joe Cotter and Joanne Oleksiak. They are involved in the Portland Mural Defense group . This group has been active in an epic struggle to keep the mural movement alive in Portland.

I would suggest that you visit the Regional Arts and Culture Council mural gallery to plan your mural tour.