Tuesday, November 11, 2008

New Fire- Mexican Cultural Mural


Photo by Jack Ramsdale

One of my (many) favorite murals in Philadelphia is by my friend and colleague Cesar Viveros-Herrera. This project is one of more than 3000 beautiful works of art created through the Philadelphia Mural Arts Program. His mural New Fire- Mexican Cultural Mural located at 223 W. Girard Avenue. The mural includes cement elements, horticulture and extentions. Its one of those works you have to see it in person to fully enjoy.

danza azteca philadelphia



This video that animates the mural, and connects it to place, culture and history. I think this project operates on many levels, using a multi-disciplinary approach to mural making. Yet another great example of the power and need for murals as we investigate how the arts play a role in revitilizing communities.




Wednesday, November 5, 2008

Imagining a National Artists Corps

We stayed up way too late last night, enjoying the static air, dancing, speeches, cheers, students running by shouting “Happy Obama Day”, strangers hugging.

Today the work started, for me it was making advocacy calls for a National Artists Corps as outlined in the Obama Biden Arts Platform.

What is exciting about this proposal is that the structures needed to administer a National Artists Corps/ Community Artists Corps are in place. The passion, desire and talent exists to facilitate local multi disciplinary arts programs that pack a punch. We have a president-elect that understands the value and power of the arts.

I feel our greatest challenge will be to demonstrate how our
proposals can be integrated into the calls for a Conservation Corps and the creation of Green Job Training Centers. Artists are natural holistic thinkers, seeing the interconnection between all things. If necessity is the mother of invention, we in the arts are her midwifes. Community based artists in the trenches have much to contribute to this discussion and I hope many of us will be called upon as this program takes form.

I encourage readers to write their elected representatives in support of a National Artists Corps.

LOTS more to come on this subject....

Thursday, October 16, 2008

Jose Ali Paz, artist and activist, dies at 51

The Mural Arts Community mourns the passing of our colleague and friend, Jose Ali Paz

October 16, 2008
Photo of
Posted on Wed, Oct. 15, 2008

Jose Ali Paz, artist and activist, dies at 51

By John F. Morrison
Philadelphia Daily News
morrisj@phillynews.com

THE NORTH Philadelphia mural seemed like a daunting project for a man who had just had brain surgery - 120 feet long and 25 feet high.

But Jose Ali Paz had something to prove. The cancerous tumor that was removed by surgery was in the right side of his brain, the side that affects speech and creativity.

Jose was an artist. His whole life, his reason for being, what made him who he was, centered around his art.

The mural, on 5th Street near Allegheny Avenue, was his chance to prove that he could still create art.

"I wasn't sure he was able to do it," said fellow muralist Michelle Angela Ortiz. "I offered to do it on my own, but he had such a strong will, so much determination. He wasn't going to let his physical situation impair him."

Jose remained as the lead artist on the mural, "Life Reflects Nature: Memories of the Past, Traditions of the Present," which was dedicated in October 2005, a testament to the courage and resiliency of a determined will.

Jose Paz, who came to Philadelphia in 2000 to escape the political upheaval in his native Venezuela and found the ideal setting for his pursuit of art, died of brain cancer Saturday. He was 51 and lived in the Northeast.

He worked on numerous murals for the Philadelphia Mural Arts Program, undertook a wide variety of other art projects, including a poster depicting the Phillies' Latino players, and exhibited his own oils widely.

His paintings were mostly of scenes from Venezuela, landscapes and the people who worked the land and walked the streets of its cities and towns.

"It was great working with him," Ortiz, 29, said. "I'm the age of his oldest daughter, but he never treated me as an inexperienced artist. He always treated me with respect as an equal.

"After his surgery, he fought hard to retain his ability as an artist. Working on that mural was definitely therapy for him.

"When he saw what he was capable of doing, it gave him back his confidence."

Jose remained active in the mural program as late as last summer when he helped with the planning of the Girl Scout mural on Callowhill Street between Broad and 15th streets.

"He loved to paint," said Ortiz, an art teacher. "He would do anything in his power to keep going."

Taller Puertorriqueno is among the many organizations that benefited from Jose's talents and generosity. Dora Viacava, outreach coordinator for the group, said that Jose did volunteer work that even included acting in a street-theater demonstration.

He taught a water-color class for seniors, created a huge banner for Taller with the logos of companies and organizations that contributed to the group, and even painted the walls of Taller's headquarters on 5th Street near Lehigh Avenue to display the work of his senior students.

"He was a really wonderful, very humble person, very generous and friendly," Dora said. "I admired the way he was able to balance his life between his family and his work."

"He was an extraordinarily talented artist," said Jane Golden, director of the Mural Arts Program. "But most importantly, he was one of the nicest, most thoughtful people I ever met.

"He was generous and kind. The world is a sadder place with his passing."

Jose and his family were among the founding members of Casa de Venezuela, an organization of immigrants from Venezuela. He taught art to children and volunteered his talents in many ways for the group.

"He was a really happy guy," said Emilio Buitrago, president of Casa de Venezuela. "He loved to talk to people. He had a big smile. People knew he was there.

"He was always willing to help people whether he knew them or not. He was an amazing father and a great community activist."

Jose's daughter, Viviana Paz, one of his four children, said, "He was the best father. He was my friend, a person I could sit down with and talk about everything.

"He was full of experience, a very wise man. He knew about everything. Sometimes I would wonder how he knew so much. His head was like a whole library.

"He was not afraid of anything. When I feel I can't do something, I remember that my Dad did so many things. There is nothing you can't do, he told me. Everything is possible if you try it."

Jose came from the town of Merida, in Venezuela. He and his wife, Mary, were married 28 years ago. He began working as an artist in his native country, where he also was a magazine publisher, did photography and other commercial art work.

He didn't want to leave Venezuela, but with the political situation and the rise of president Hugo Chavez, he felt he had no choice. "He tried everything to stay," said his daughter, "but nothing worked."

She regretted that her father was "at the top of his profession when he got brain cancer."

Besides his wife and daughter, he also is survived by his mother, Esther; a son, Jose Jr.; two other daughters, Rusmery and Daniela; two sisters, Luz and Alba Paz, and two grandchildren, Diego, 5, and Davya, 3 weeks.

Friday, October 17—5:30 to 7:30 p.m.

Viewing Service

A. Andrew Compagnola Funeral Home

4405 N. 5th Street, Philadelphia, PA 19140

Saturday, October 18—10:00 a.m.

Funeral Mass

Incarnation of Our Lord Roman Catholic Church

5105 N. 5th Street, Philadelphia, PA 19120

Saturday, October 18—3:00 to 4:30 p.m.

Tribute to Jose Ali Paz

Taller Puertorriqueño—Education Building

2557 N. 5th Street

Philadelphia, PA 19133

Flowers, cards, and donations can be sent to the Paz Family in care of 451 Van Kirk Street, Philadelphia, PA 19120.



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Tuesday, October 7, 2008

Murals in Oregon

Eugene

Throughout our trip we were inspired to see murals in communities large and small. Some are designed in a collaborative manner others by a lead artists. Oregon is home to numerous murals. Every city small and large that we stopped in had a mural of some sort. Most of our time was spent in Eugene visiting family. We had a chance to see lots of works and go on the First Friday Art Walk visiting galleries, hearing live music and meeting artists.

Murals are everywhere in Eugene. They are woven into the cultural tapestry of the city. Eugene is a unique place thriving with life and creativity. In addition to the natural beauty and intelligent urban planning there is a strong local economy. The weekly Saturday market and regular farmers markets provide a great window into the social life of the community.

One of the muralists we saw in Eugene was Kari Johnston who has painted a number of works in the area. She painted one of the most loved murals in the Whiteaker neighborhood.

Kari Johnson mural in the Whiteaker neighborhood

Kari gave us a tour of the in-town land trust where she and several dozen others live. She designed the commons house that sits next to one of the gardens where a parking lot once stood. Now you can enjoy a maze of gardens and fruit trees. Seeing this really helped us get a feeling for the spirit of her murals.


You can find a list of Eugene murals here but you might need the help of a local in planning your mural tour of Eugene. A good place to start is by visiting the Downtown Initiative for the Visual Arts (DIVA).

Portland

We had the delight of spending a day touring Portland, OR. Portland is home to many beautiful community murals. It was synchronicity that helped us find a mural in progress by artist Robin Corbo at the Community Cycling Center .


She told about another mural she had just finished entitled Women Making History in Portland. The mural depicts women who have, or are making history in Portland. A ton of people were involved in this mural. If you click on the image below you should be able to make out the text.


Women Making History in Portland
2007
2335 N. Clark St.
Artists: Robin Corbo with assistance from artists Mark Meltzer, Sherri Shaw, Emily Lux and Jason Greene

I like the design and richness of these murals, they tell a story, make a statement and are visually fun to spend some time with. Other muralists in Portland include Joe Cotter and Joanne Oleksiak. They are involved in the Portland Mural Defense group . This group has been active in an epic struggle to keep the mural movement alive in Portland.

I would suggest that you visit the Regional Arts and Culture Council mural gallery to plan your mural tour.

Tuesday, September 16, 2008

Images of Our Mural

There will be more images of the finished mural coming soon, but I wanted to get a few images posted.




Click to Enlarge

Monday, August 18, 2008

On the Road Looking for Murals

“To the Glory of G-d” Mural in Springfield, MO

Murals in Missouri and New Mexico

Over the past few weeks we have been in transit from Philadelphia, PA to Tucson, AZ. Along the way we have been visiting communities to try and get a feeling for the status of the arts in America. How are artists and community arts programs making their way in this new global economy?

One of our first stops was in Louisville KY. There is an active arts scene there with several community murals on underpasses and at least one "free" wall where aerosol artists work on ever changing images. There are several arts centers, galleries and performance centers. Its a beautiful town that seems to offer a full array of cultural activities.

We discovered several murals in Springfield and Joplin Missouri. The mural in Springfield was huge and located on an abandon grain silo. We met a few guys who maintained the property. They told us that Springfield was going through a revitalization of sorts. The old was being demolished for new upscale shops and apartment buildings. The mural was painted by local artists Obie Harrup III and Farley Lewis and sponsored by something called the Messiah Project. It was painted 10 years ago and is entitled “To the Glory of G-d”. Springfield MO is home to a number of religious collages, and felt like a deeply spiritual place. As we walked around the beautiful downtown I don’t think we saw one piece of trash. We noticed several other murals on businesses but no evidence of an organized program.

The next day we stumbled on a masterpiece in Joplin MO. “Joplin at the Turn of the Century 1896-1906” was painted by the great American artist Thomas Hart Benton in 1973 at the age of 82. The interior mural is located in the City Hall building. The 5 1/2’ x 14’ mural was the centerpiece of Joplin’s 100th Birthday. Benton began his career as an artist working as a cartoonist for the Joplin American newspaper in 1906. This mural was his last signed large scale work.

“Joplin at the Turn of the Century 1896-1906”

A few days later we found ourselves in Socorro, New Mexico. This small town is a beautiful piece of Southwestern culture and features many historical buildings including the San Miguel Mission, restored in the 1960’s. The original mission was burned during the Pueblo Revolt in 1680. A second mission was built between 1819 and 1821. The center of town is the Kitrell Park Plaza. On one corner of the Plaza we discovered a mural painted on the side of the Manzanares Street Coffee House and bike shop.


The shop was closed and we didn't see an artists name on the mural. It’s a beautiful work of art with rich color and detail. We walked around the town enjoying the ambiance, imagining that many years ago this could be what Tucson or Santa Fe looked like.

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